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Mogaung or Möngkawng was the capital (royal seat) of a relatively major Shan (ethnic Tai) principality. It was orignally ruled by a <i>saopha</i> (Shan-prince of the highest rank), and was founded according to legend in 58 BCE. Chinese imperial occupations occured between 1479-1483 and 1495-1495 and Burmese occupations in 1651-1742 and 1771-1775. It was annexed in 1796 by the Ava-based kingdom of Burma.
Mogaung or Möngkawng was the capital (royal seat) of a relatively major Shan (ethnic Tai) principality. It was orignally ruled by a <i>saopha</i> (Shan-prince of the highest rank), and was founded according to legend in 58 BCE. Chinese imperial occupations occured between 1479-1483 and 1495-1495 and Burmese occupations in 1651-1742 and 1771-1775. It was annexed in 1796 by the Ava-based kingdom of Burma.
The Shihon choshoku yamai no soshi ('Diseases and Deformities', 紙本著色病草紙) is a late Heian (12th century) hand scroll (emakimono) consisting of colour paintings on paper that has, at some time, been cut into ten separate sections. They are preserved in the Kyoto National Museum and are listed as a National Treasure of Japan.
The Astana Graves (Chinese: 阿斯塔那古墓, Pinyin: Āsītǎnà Gǔmù) are a series of underground tombs located 6km from the ancient city of Gaochang, and 42km from Turpan, in Xinjiang, China. The tombs were used by the inhabitants of Gaochang, both commoners and locals, for about 600 years from 200 CE – 800 CE.<br/><br/> The complex covers 10 square kilometres and contains over 1,000 tombs. Different plots for separate castes and families are marked by gravel dividers. Due to the arid environment many important artifacts have been well preserved at the tombs, including natural mummies.<br/><br/> A typical tomb is entered by a 10 metre sloping staircase. The tombs are not very large, usually only 2 metres high. Some tombs also have murals inside. The deceased were laid on a small raised platform in the back of the tomb, surrounded by possessions and even food.<br/><br/> Their faces were covered by cloths, some of which have distinct Persian motifs. A small funeral brick was placed to next to each body, on which was written the person’s name and other biographical information. These bricks have been incredibly useful for historians to date the tombs’ finds. There are also various Tang Dynasty figurines and silk paintings in graves.
Keisai Eisen (渓斎 英泉, 1790 – 1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830).<br/><br/> He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Informal picture of the Imperial family playing a board game (1950s). Crown Prince Akihito left, Empress Kojun centre, Emperor Hirohito right.<br/><br/> Hirohito, the Shōwa Emperor ,(April 29, 1901 – January 7, 1989), was the 124th emperor of Japan according to the traditional order, reigning from December 25, 1926, until his death in 1989. Although better known outside of Japan by his personal name Hirohito, in Japan he is now referred to exclusively by his posthumous name Emperor Shōwa.<br/><br/> At the start of his reign, Japan was one of the great world powers and one of the five permanent members of the council of the League of Nations. Emperor Hirohito headed Japan's imperial expansion, militarization, and involvement in World War II. After the war, he was not prosecuted, but remained emperor, though with significantly reduced power.
Keisai Eisen (渓斎 英泉, 1790 – 1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830).<br/><br/> He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Keisai Eisen (渓斎 英泉, 1790 – 1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830).<br/><br/> He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Keisai Eisen (渓斎 英泉, 1790 – 1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830).<br/><br/> He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.